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Currently on view at: Getty Center, Museum East Pavilion, Gallery E102
Design attributed to Johann Paul Schor (called Giovanni Paolo Tedesco) (Austrian, 1615 - 1674)
Rome, Lazio, Italy (Place created)
Gessoed and gilt poplar
170 x 224.8 x 84.9 cm (66 15/16 x 88 1/2 x 33 7/16 in.)
Without any practical function, this table was conceived like a sculpture and probably served as pure decoration in a Roman palace. It is composed of twisted laurel branches and berries that sprout from a rocky base. An eagle with outstretched wings and holding another laurel branch in its beak has landed in the center. Large, curling seashells form the top. Scholars cannot tell whether these elements might have had special emblematic meanings or whether they were chosen simply for their decorative qualities.
A 1713 guidebook of Rome mentions a room in the Palazzo Altieri that was decorated as "an artificial cave, composed of mountains and rocks. Inside is a bed made of tree-trunks, a table, a fountain..." The Getty Museum's table would not have been out of place in such a grotto.
Taking Shape: Finding Sculpture in the Decorative Arts (October 2, 2008 to July 5, 2009) (37)
- Henry Moore Institute, (Leeds), October 2, 2008 to January 4, 2009
- The J. Paul Getty Museum at the Getty Center, (Los Angeles), March 31 to July 5, 2009
Bremer-David, Charissa et al. Decorative Arts: An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1993), p. 190, no. 121, ill.
Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles: J. Paul Getty Museum, 1997), p. 48, no. 34.
Wilson, Gillian, and Catherine Hess. Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2001), p. 207, no. 141, ill.
Droth, Martina, and Penelope Curtis, eds. Taking Shape: Finding Sculpture in the Decorative Arts, exh. cat. (Leeds, Henry Moore Foundation; Los Angeles: J. Paul Getty Museum, 2009), pp. 130-37, no. 37.