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Currently on view at: Getty Villa, Gallery 103, Athenian Vases
Attic Red-Figure Kalpis Fragment
Attributed to Kleophrades Painter (Greek (Attic), active 505 - 475 B.C.)
Athens, Greece (Place created)
6.4 × 7 × 3 cm (2 9/16 × 2 3/4 × 1 3/16 in.)
Preserves part of the masturbating satyr (upturned frontal face and outstretched left arm) with an inscription (["I see] two suns"). Another fragment (81.AE.206.C.15) shows a sleeping maenad to the right.
Galerie Nefer, sold to the J. Paul Getty Museum, 1985.
"Acquisitions/1985." The J. Paul Getty Museum Journal 14 (1986), p. 192, no. 52.
Kossatz-Deissmann, Anneliese. "Satyr- und Maenadennamen auf Vasenbilder des Getty-Museum und der Sammlung Cahn (Basel), mit Addenda zu Charlotte Fraenkel, Satyr- und Bakchennamen auf Vasen bildern (Hall, 1912)," Greek Vases in the J. Paul Getty Museum, 5. Occasional Papers on Antiquities, 7 (1991), pp. 130-199, fig. 5.
Robertson, Martin. The Art of Vase Painting in Classical Athens. Cambridge: 1992, pp. 133-34; fig. 136.
Kilmer, Martin F. Greek Erotica on Red-figure Vases. (London: Duckworth & Co. Ltd., 1993), p. 217, cat. R323.
Lissarrague, Francois. "A Sun-Struck Satyr in Malibu," Periplous. Papers on Classical Art and Archaeology Presented to Sir John Boardman. London: Thames and Hudson, 2000. pp. 190-197, passim; figs. 1 and 4. Cited with 81.AE.206.C.15-.17, for which there appear to be no records in TMS.
Immerwahr, Henry. R. A Corpus of Attic Vase Inscriptions. Preliminary Edition. Part VI: Supplement. 2001, no. 4979.
Hedreen, Guy. "Dysfunctional Sexuality in Iambic Poetry and in Athenian Vase-Paintings of Silens." In Proceedings of the XVIth International Congress of Classical Archaeology Boston, August 23-26, 2003 (Oxford: Oxbow Books), p. 168, fig. 2.
Hedreen, Guy. "'I let Go My Force Just Toching Her Hair': Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry." Classical Antiquity 25, no. 2 (2006), pp. 281, 290, 295, fig. 11.
Kreuzer, Bettina "An Aristocrat in the Athenian Kerameikos: The Kleophrades Painter = Megakles" In Athenian Potters and Painters, vol. 2. John H. Oakley and Olga Palagia, eds. (Oxford: Oxbow Books, 2009) 116-124, p. 120.
Lissarrague, François. Le Cité des Satyres: Une Anthropologie Ludique (Paris: Éditions de l'École des Hautes Études en Sciences Sociales, 2013), p.90, fig. 65, p.281.
Hedreen, Guy. "Smikros and Epilykos: Two Comic Inventions in Athenian Vase-Painting." In Athenian Potters and Painters III. John. H. Oakley, ed. Oxford: Oxbow Books, 2014, p.58.
Walter-Karydi, Elena. "When the Athenians Liked to Chat." In Egraphsen kai Epoiesen. Essays on Greek Pottery and Iconography in Honour of Professor Michalis Tiverios. Edited by P. Valavanis and E. Manakidou. Thessaloniki: University Studio Press, 2014, p. 198.
Williams, Dyfri. "To Dream the Impossible Dream." In Approaching the Ancient Artifact: Representation, Narrative and Function. Edited by Avramidou, A. and Demetriou, D. (Berlin: De Gruyter, 2014), 303, footnote 22, 304.
Hedreen, Guy. The Image of the Artist in Archaic and Classical Greece (Cambridge: Cambridge University Press, 2016), p. 269.
Langdon, Merle. "Additions to the Corpus of Greek Erotic Inscriptions." Grammateion 5 (2016), http://grammateion.gr/ (accessed July 10, 2017), p. 89, n. 9.
Llewellyn-Jones, Lloyd. “The Eurymedon vase again.” In Greek Art in Context. Archaeological and Art-Historical Perspectives, edited by Diana Rodriguez-Perez (London: Routledge, 2017), p. 105, fig. 7.4.
Osborne, R. "Striking Attitudes" Apollo Magazine, February 2017, p. 62.
Osborne, R., The Transformation of Athens. Painted Pottery and the Creation of Classical Greece Princeton: Princeton University Press, 2018, p. 136, fn. 43.