Bust of Alexis-Jean-Eustache Taitbout (1705 - 1778)

Object Details


Bust of Alexis-Jean-Eustache Taitbout (1705 - 1778)


Jean-Jacques Caffieri (French, 1725 - 1792)




France, Europe (Place created)




Terracotta on plaster socle


64.5 × 36 × 27.7 cm (25 3/8 × 14 3/16 × 10 7/8 in.)

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Rising from a rounded socle, Alexis-Jean-Eustache Taitbout's head turns. A relaxed smile softens his bulbous features, and his eyes are sparkling and alive. His prominent nose, furrowed forehead, bushy eyebrows, and soft, aging flesh suggest a sympathetic, kind disposition. To suggest informality, Jean-Jacques Caffieri left the surface rough and rendered the sitter in casual garb. Caffieri, who was known for his portrait busts of contemporary celebrities, especially those of writers and artists, represented Taitbout as one of the literati, even outfitting him in the loose blouse worn by artists and writers. He modeled the bust in terracotta, taking advantage of the medium's flexibility to render a portrait striking in its spontaneity. The intimacy of this portrait is characteristic of the Enlightenment interest in psychology. Indeed, the portrait's psychological penetration suggests that the sitter or a close intimate probably commissioned it.

Taitbout was an aristocrat, a knight of the order of Saint-Lazare, who served as French general consul to Alger, Algeria and then to Naples. The sculptor likely modeled the portrait from life and chose to memorialize Taitbout's warm humanity.

by 1879

Laurent Laperlier, French, 1805 - 1878 [sold, Tableaux, pastels, dessins, miniatures, terre cuites formant la collection de feu M. Laperlier, Hôtel Drouot, Paris, February 17-18, 1879, lot 123, to M. Febvre.]

1879 -

M. Febvre

by 1884

Maurice Kann, French, died 1906

by 1944

Private Collection [sold, Tableaux-dessins et objets de bel ameublement anciens [...], Étienne Ader, Paris, March 15, 1944, lot 36.]

- 1996

Alain Moatti (Paris, France), sold to the J. Paul Getty Museum, 1996.

Salon of 1763 (1763)
  • Salon, Palais du Louvre (Paris), 1763
L'Art du XVIIIe Siècle (January 1 to December 31, 1883)
  • Galerie Georges Petit (Paris), January 1 to December 31, 1883

Explication des peintures, sculptures, et gravures de Messieurs de l'Académie Royale [...], exh. cat. (Paris: Herrisant, 1763), p. 36, no. 180.

Société des Amateurs. "Ouvrages de sculpture [exposés au Sallon du Louvre]." Mercure de France (November 1763), p. 214.

Mathon de La Cour, Charles-Joseph. Lettre à Madame: Sur les Peintures, les Sculptures et les Gravures Exposées dans le Sallon du Louvre en 1763 (Paris: Guillaume Desprez, 1763), p. 82 (col. Deloynes, t.XI, 101).

L’Art du XVIIIe siècle: décembre 1883 et Janvier 1884, exh. cat. (Paris: Galerie Georges Petit, 1883), p. 74, no. 233.

Lami, Stanislas. Dictionnaire des sculpteurs de l'école française au dix-huitième siècle. 2 vols. (Paris: H. Champion, 1910-1911; Nendeln, Liechtenstein: Kraus Reprint, 1970), vol. 1 (1910), p. 155.

Seznec, Jean ed. Diderot Salons: Volume 1: 1759, 1761, 1763 (Oxford: Clarendon Press, 1975), p. 190, no. 180.

Fusco, Peter. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 10, ill.

Fusco, Peter, Peggy Anne Fogelman, and Marietta Cambareri. Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles: J. Paul Getty Museum, 1998), pp. 94-95, no. 33, ill., entry by Peggy Anne Fogelman and Peter Fusco.

Bückling, Maraik, and Guilhem Scherf, eds. Jean-Antoine Houdon. Die sinnliche Skulptur, exh. cat. (Frankfurt am Main: Liebieghaus Skulpturensammlung, 2009), p. 181, fig. 105.

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